If not for Tanpopo, I might not be here today.
Early 1999: J-pop is my life. It's all CDs, , J-dramas and renting music programs on VHS. And also going to the local stores to browse what's hot. A lot of stores had J-pop, even Tower Records. One of the main J-bookstores in town had the "TANPOPO 1" album on the shelf.
Every week I saw that CD, with the three girls with silky dresses and heavy makeup looking back at me. I wondered what kind of music was in that package. I imagined something very urban, full of attitude and probably inaccessible as I was drowning in J-idol sugar pop.
Later on I finally get my first PC and add the online world to my own surroundings. Even on dialup there was quite a bit of digital goodies to... err, sample. Anything that was new I leeched, including the sultry girls caked in makeup. Interesting stuff. Kinda poppy, rather accessible and with a grown-up sound. Listen to the groove of "Motto" and I knew one thing: it wasn't the 90s idol stuff I was used to.
And then the bombshell from my friend: that very trio were part of another group that was on the previous NHK Kohaku Utagassen. A group I declared "a mockery of idol groups." Morning Musume?! This is an off-shoot of... THEM? Yes, and Santa Claus is an alcoholic too.
But what a bold new world that opened up. Because I was forced to reconsider the gaggle of girls that rang flat to me the previous year. By the middle of 1999 I was hooked and I had a new religion. Thanks to that iconic CD.