dangit, I can't keep up anymore LoL You really need to write up the order in which to read this crazy series.
Haha, glad you brought it up.
Chronologically, it's:
-Friday's Children
-Past the Barrier
-Love x 2 (parts I, III, and III)
-Love x 2 - 1
-Love x 2 = ∞
-My Own Private Funeral
-What Needed to be Done
Now I've gotten to the part I think I've been wanting to write for ages!
Past the Barrier and to the Left
EightJune twenty-fifth, 2005, somewhere just past Nagoya.
I sit alone in a reserved seat on one of the fastest trains in the country, looking out the window and fretting over what to do.
I stayed up late last night trying to think of something good to say. When bedtime came, I was too worked up and couldn't get to sleep. As a result, I've only had three hours of sleep. Yet somehow, I've managed to get through the work I've had to do and make it on time to catch the shinkansen for Kobe.
I check my bag for the fifth time since leaving Tokyo station. I have my printed reservation confirmation paper for the hot spring resort in Hakone and the concert ticket that Kago handed to me yesterday with a devilish grin. That girl is going to enjoy Aya's surprise.
I close my eyes and try to get some sleep, but I'm too nervous. I haven't come to any decision about what to do. Right at that moment, my plan is to go backstage after the concert, give Aya the paper, and then hope that there's a good opportunity to start spouting the nonsense I've been practicing in front of mirrors and pictures for the past few days.
I remain uptight for the rest of the ride to Kobe.
When Shin Kobe station is announced, I practically jump up from my seat and head to the door, eager to get out. The minute the doors open, I race off to catch a connecting train that will take me to the concert hall.
Before leaving the train station, I duck into a washroom and change my clothes. I don't want to call attention to myself, so I dress down, making sure not to wear anything flashy. I then slip a medical mask on my face and leave the washroom looking completely different from when I entered.
I really like you, I practice in my head.
I just came by to give you this and to tell you that you're the greatest person in the world... No! That's terrible! I can't say that.
I walk down the street and scold myself at the same time. I must look crazy.
Once I locate the concert hall, I walk a few blocks to a convenience store where I will read magazines to kill time. I'll slip into the hall ten minutes after the concert is slated to start. It's the best way to remain anonymous because all the fans will be doing their concert preparations. They won't pay attention to me coming in late.
Each minute that passes, the tension inside me grows. My stomach flips and flops like a landed fish. I have the feeling that this is it. This is the day. No more blunders. No more eye shadow questions and sidestepping the issue. My mere presence will raise a million questions in her, and I'll have to answer them. I'll have to eventually get it out, even if it's a short "I
like you," in a tiny voice.
Am I ready for it?
Oh, no. Not at all.
The time draws near. I start my walk to the hall, and before I know if, I'm at the entrance giving my ticket in, having my bag checked briefly, and being ushered off to my second floor seat. The lights begin to go down just as I find my row, and I squeeze my way through cheering fans, making sure to look away from them. I'm sure that ninety-eight per cent of the people in this room could recognise me in an instant. I have to play it safe.
The stage lights go on, and suddenly I feel very nervous for her. I never feel nervous before I'm performing, but for her, I want everything to go right. It's her birthday today, after all.
When Aya appears on stage, I lose myself and just stare. I'm not used to seeing her like this. Not live at a concert from the audience. It's a very different experience for me. She looks and sounds great, of course, and I start to cheer up as I listen to the energetic songs.
When Kago comes out singing my last single as a soloist, I sigh. I feel nostalgic for the good old days of that silly song, and I also feel that the louder half of the Top Two does it justice. Of course nobody can replace me doing that song. I am the original. But I feel proud of Kago just the same. I don't even know her that well, but we have shared the stage a lot together since I joined Morning Musume, and that makes us team mates, no matter how many times I've gotten annoyed at her silliness.
I stop paying attention for the talking part that comes after her song even though Aya's there, but I'm snapped back into the world when I hear the first sounds of Melon's sexiest single. I've heard Aya complaining about trying to master the dance, and now I'm going to see it.
I like my sexiness sexy, not raunchy. This choreography borders on the latter, but when I see Aya moving around as if the steps are completely natural to her, I blink and re-evaluate. I didn't realise the girl could move like that and look smooth. I guess she does have it in her. That proud feeling I felt when watching Kago perform my song fills me again, only this time multiplied by a factor of ten and full of more love than anything else.
The whole concert is lots of fun to watch. Everybody seems to get along perfectly, and you can tell it has been rehearsed well. Aya sticking her nose in her birthday cake makes me want to run up on stage and join them all for the celebration. I can't, though. I'm stuck up here on the second floor.
My favourite part of the whole evening is when Aya sings her latest single, "Zutto suki de ii desu ka." I know that she didn't write the lyrics, but they are striking all the same. I feel as if she's channelling me and singing about my heart. It's bittersweet, but her voice is so pure and so dead
on that nothing but the good parts of it affect me while she's in the midst of singing. When she's finished, I clap the longest and the loudest.
The show wraps up, and they do their final bows after an encore. While they're still on stage, I slip out of my seat and go to find a staff member. I have a backstage pass courtesy of the conniving twin, and it will get me past security and into the dressing room area, although I'm sure that one show of my face will suffice.
I get in without a hassle, and I wander the halls until I find Aya's dressing room. I lean against the wall as I wait. I have an urge to check for the paper I'm going to present to Aya. I hold myself back, though, because she could round that corner at any given moment. The paper rests in my pocket. I transferred it there for easy access.
It takes a while for the triumphant crew to show up. I suppose they're doing a post-concert celebration and eating cake.
Then I hear it. Laughing and talking. They're coming. I hear the Top Two serenade Aya with a stupid song. As ridiculous and funny as it is, I don't laugh. My stomach has tightened painfully, and I start to tremble at the thought of what I'm about to do.
Chill out, I tell myself.
You're just here to have fun with her. That much she'll understand.
I hear lone footsteps. They falter for a moment, and I know she's seen me. I listen as she continues to approach much more quietly, and I shift my position.
The moment of truth...
I turn around. Skin glistening with sweat, face screwed up in confusion, make up thick but artistically done. There Aya stands looking every bit as great as she's always claiming to be.
It excites me to know that I know what lies beneath that exterior. Beneath the make up, the bravado, and the extroversion. She's still the same person, but she's not impenetrable. I guess that's the difference between knowing someone and knowing
of someone. To me, she's not impossible. She's accessible. I can know her. To the guys sitting on either side of me at the concert moments ago, she's part of another world. They can never really know her no matter how many books, articles, and interviews they read.
The look on her face is one of shock. After the initial surprise, she's either going to be excited that I've come all the way to Kobe to see her, or creeped out by my extreme act. The way I see it, these are the only two possible reactions Aya can have to any of my actions. Nothing in between.
"Heeee...?" she lets out in surprise as she stops walking.
"Hi," I say, blanking out and not saying anything else.
Aya looks around and sees that we're the only ones in the hallway.
"Wh- what are you doing here? Are you here to see me?" she stutters.
I pray for her not to go down the road of disgust. I don't want her to be put off by what I've done.
"Yeah, I dropped by to see you," I say far more casually than I mean to.
"'Dropped by'? Miki, where did you come from? Tokyo? Farther?"
This is that defining moment. I can just imagine she's going to freak out once I tell her where I've come from. Of course, I could always lie and say that I was working nearby.
"Er, Tokyo..." I say hesitantly.
I just can't lie to her. She stares at me with an expression I can't read. Is it shock? Disgust?
"I wanted to wish you a happy birthday..." I say timidly.
I've reverted to a mouse in front of a lion. A very kind, beautiful lion, but nevertheless, a creature that is stronger than me and can squash me with one paw. The question is, will she go for the kill or give me a chance?
I think she's about give me a chance because she starts to laugh. It's her defence mechanism for when she's so surprised she doesn't know how to react, but she knows nothing's wrong. I begin to relax.
"Miki, that's really sweet, but you could've just mailed me. Or called," she giggles.
She looks positively thrilled, and she walks the rest of the way towards me and hits me gently on the arm. I get so embarrassed by what I've done that I look down at the floor, unable to look at her.
"But that's what I did the last few times for your birthday since we were both working. It gets monotonous, Aya," I murmur at the carpet.
I feel her take my hands and pull me to her, and for a moment, I wonder what's going to happen.
"You are the best friend I could ever hope to have," she says.
Heart soaring, I finally look up at her and laugh. I like hearing about how great a friend I am from her. It fills me with that confidence I need to take those big steps forward.
"So, happy birthday, Aya-chan," I say, this time with much more strength.
I shake her hands off of mine and I grab her in a big hug. I'm no longer bogged down by fears of her being repulsed by my actions. She's obviously quite content to believe that I'm such a good friend that I've travelled a long distance to see her on her birthday. She doesn't suspect that I could possibly have any further feelings towards her, or if she does suspect it, she's good at hiding it.
I never want this hug to end because it might possibly be the last one I ever have with her. While this moment is one I've deemed to be good, who can tell what will happen one minute or one hour from now? I might let something slip out and she might react badly. She might want nothing to do with me after that, and of course that will mean no more interaction of any kind.
So I savour this warm moment as best I can before pulling out of it so as to not scare her. It could be my imagination, but she looks a little disappointed. I push it out of my mind. I'm too hopeful. But still, something inside me tells me to keep an eye out for any signs. I want her badly for some reason. Maybe she wants me for those same, unknown reasons.
Aya suggests we go into her dressing room because she has to get changed, so we go in. She finally takes note of how I'm dressed, and while she stands there looking at me, she pushes some hair out of my eyes. God, I love it when she does that. It makes me want to grab her hand and tell her to play with my hair some more. I want to simply sit still while she runs her fingers through it. I don't like when people other than my hair stylist touch my hair, but I don't mind if it's Aya.
When she asks me if I went to her concert, I feel like we've reached crossroad number two. Here's another chance for her to either turn away from me in disgust or to be happy.
I score good points again, because she laughs and hugs me when I tell her I watched her concert from the audience.
"How was it?" she asks me, genuinely interested in my opinion.
I'm unable to restrain myself, and I gush out, "It was amazing!" while grinning stupidly, remembering watching her the whole time.
"What was your favourite part?"
How am I supposed to answer that question? I can't tell her because she'll ask why, and how can I explain why a song about an unrequited love that she'll feel forever no matter what speaks to me so much?
"'Nikutai wa shoujiki na eros'?" she asks in a teasing voice when I fail to reply.
I can't help flushing because she's making one of those jokes again. One of those ones where she implies that I want her because she is just too hot for her own good. It's all a silly thing meant in jest, but she doesn't realise that it's actually true.
I shake my head.
"But that was pretty sexy, Aya-chan. Didn't know you had it in you," I admit with a bite. I may as well have fun.
She rolls her eyes at me.
"You know I'm damned sexy. Don't deny it."
I wasn't going to, I think.
Out loud, I giggle and pat her cheek. Before I know it, I've got my nose right up against hers, and I think I'm about to do something stupid. Like kiss her. Or some other absurd action. She scrunches her nose up at me. I can see directly into her eyes.
"Of course you are," I say.
I've spoken an honest thought to her finally. What I really think about her. Now the question is, can I keep going?
I'm not given an opportunity to test it out because Aya bumps her nose against mine and pulls away with a silly look that masks something I can't read. I think I just frightened her a bit there.
"But really... what was your favourite part? Your favourite song?" she insists.
She really does love to hear about herself, doesn't she? That's okay. That's what makes her the Ayaya that I love.
"Your performance of 'Zutto suki de ii desu ka.' That's my favourite song of yours..." I answer seriously after a moment's hesitation.
I wonder if she'll ask why.
"Thank you. That performance meant a lot to me," she says.
"Me too," I agree a little too quickly. I scurry to cover it up with, "Um... because it's a touching song, and... it's always nice to see your best friend sing something so deep."
"Thank you. Very much," Aya says shyly. "I'm glad that you could hear it today, too."
Does she mean it? Eyes wide with love, I look at her.
"Really?"
"Of course," she shrugs.
She's acting like me when I downplay something. Could she be doing that?
No, it can't be.
I think I pin her with a love struck look. She just grins back.
Time to try again.
"I wish I could've been onstage with you," I begin, regulating my breathing so that it's even, "and I wish I could've sung for you, too. I wish I could've sung with you. And, uh, I just want you to know that you looked beautiful up there. Absolutely gorgeous and cute and mature..." I trail off and chicken out before I can tell her
why I think that.
Damnit, just say it. Just tell her you're absofreakinglutely in love and get it over with.
But I can't. Rarely can I follow my own advice. It never sounds like very good advice.
She lifts my chin up because I'm looking down. Maybe she's going to help me along with what I have to say.
"Thank you, Miki," she says with a serious look. "I wish you could've been onstage with me, too. That would've made the perfect birthday gift."
Birthday gift? Right! I almost forgot one of the reasons why I've come down here. Confessions of love pushed aside, I reach into my pocket and hand the paper in it over to Aya. I watch her face carefully as she reads. When her eyes widen the slightest bit, I know that this is another crossroad.
"Tomorrow?!" she bursts out.
I laugh and nod energetically, hoping to convince her to have a positive reaction.
"Are you nuts?! Are you joking? Are you on drugs? Do you even have time? Where'd you get the money?!"
Despite her questions, I know that I've scored my next point on the good side. She looks utterly pleased and, at the moment, utterly speechless. I grab the paper out of her hands and then write "surprise" on it, circling it with a heart. She looks at the word and a million kinds of emotions cover her face. I wonder if she's going to burst out crying, and then I wonder if this mix of feelings is a good thing.
It turns out to be a very good thing. She grabs me in a hug and kisses my cheek as she jumps up and down excitedly. I start to laugh because this is exactly how I've wanted her to react. She pulls back, looks at me, and then hugs me again, surprising me and making me go "oof!" as she giggles over my shoulder.
Maybe now is a good time to say a few of those words I've been practicing...
"You didn't have to do this, you know. You didn't have to give me anything. Especially something so huge," Aya murmurs before I can say anything, the vibrations of her voice making my shoulder feel nice and funny.
I shrug, and I carefully reach up and hug her back now that I have my balance.
"I wanted to," I reply.
I'm about to start speaking again when Aya pulls out of the hug. I consider not letting go and making her stay, but it's not good to forcibly keep someone, especially Aya, in a hug. It's not nice. It's not normal. I let her go, hoping she doesn't notice my hesitation.
"I didn't know what to get you anyway, so I figured I may as well go with what you said you wanted," I end up saying.
"The fact that you came to visit me just now is the best birthday present you could ever give me, you know that?"
I blush because it makes me happy to hear, but I have to get us off this topic because I feel like I'm going to die of embarrassment.
"I'm sorry I couldn't come earlier. Work," I say with a roll of my eyes.
"Idiot," Aya says, hitting me lightly. "You're here now. That's all that matter...s..."
She trails off suspiciously. She sounds like I do. Silly and in love. This is when I seriously start to suspect something's going on. Or is it wishful thinking?
Ug. I still can't tell.
"Well, I'm glad I could come and watch. Nothing could've made me happier," I reply.
The awkward atmosphere that we find ourselves in is unbearable. At least I'm not the only one acting strangely, but I'm dying to know what the motivation behind her odd behaviour is.
"I guess I should get changed," Aya laughs after breaking the silence with a cough.
I laugh along because I'm so nervous, and I go to sit on the couch while she changes.
I can't look at her, I think.
If I do, I will cross that boundary line and stray from good friend to creepy stalker territory.
So I stare at everything that is not Aya. At one point I stare at a pillow on the couch and I wonder how long it would take to make one similar to it. The stitching is tight, surely done by a machine. Could I mimic a machine's work? I could try. I could go to Parco and buy some cheap thread, a few needles, fabric, and stuffing, and then...
Why am I thinking about sewing a pillow? This is really pathetic.
I look up to see if Aya's finished changing. She's just adjusting her shirt, and so I know it's safe to be looking at her.
Except that when she turns to look at me, I look away. I don't want her to think I was staring at her the whole time.
But wait. I wasn't doing anything wrong by looking at her. I look right back at her. She smiles, so I smile back, but I feel guilty. What are we doing? What kind of communication is this?
I ask myself this as Aya walks over to the couch and sits beside me. I hope that she can think of something to say that will get us out of this awkward rut we've dug ourselves into.
She asks what I want to do tonight, and I have to confess that I have very little money on me. I probably have just enough to buy a meal at the convenience store. Oversights happen, and I left my bank card at home, making me unable to withdraw any more money from an ATM before leaving Tokyo. It was a choice between missing my train or having no money. Seeing Aya was (and still is) more important. I couldn't miss that train for anything.
Aya offers to spot me money, but I decline until she hits my leg to silence me.
"Don't you dare start with that. And don't you dare not stay in my hotel room tonight," she says, and my heart skips a beat or two. "I know you don't know anyone in Kobe to stay with. Now come on, where do you want to go?"
She gets up and pulls on my hand to make me follow. I stand up and laugh to cover my excitement.
"You're the birthday girl. You tell me," I say, leaving the decision to her.
But isn't she going to go out with the girls? I know that she enjoys the Melons' company. I figure they must have planned something in advance knowing that they'd be in Kobe overnight.
"Aren't you going out with the girls anyway?" I ask.
"We thought we might, but I just want to spend my time with you," she says, and then quickly adds, "I mean, I just spent the whole day with them. I'm sure they're sick of me..."
I could never get sick of her. Not really. Get sick of the way she's holding my hand right now? Never.
"Sick of you? Hah. As if," I mutter, which makes Aya grin.
She then lets go of my hand to gather her things.
Hey, I was enjoying that, I whine in my mind.
She says something about dropping our things off at the hotel, and I just nod because I'm thinking about grabbing hold of her hand again and not letting go.
Instead, we leave the room, and I conclude that there will be no confessing right at this moment. We're going to meet the rest of the girls and get driven back to the hotel, so it wouldn't be a good idea to spring something so huge on Aya.
I talk about my day, which is a bit strange because we don't tend to talk about work, and all I did today before coming to Kobe was work. I tell her about some filming I did with Yocchan and Takahashi for some promotional thing that I can't even remember because it's not important, and we make our way to the back entrance of the concert hall like any two friends would.
So far so good. I haven't made any huge mistakes. If I can keep this up, I can build up my courage and say something. I'm going to have to be quick, though, because bedtime isn't that far away, and it would be nice to say something before midnight.
Midnight. That's it. Midnight will be my deadline. I will say or do
something before midnight to communicate this mess in my mind.
Midnight.